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Oasis - Don't Believe The Truth

“This is our best album since Definitely Maybe”, is how Noel has described their latest, eagerly awaited offering. Others, however, have not been so kind. Since it’s release a few weeks ago, Don’t Believe The Truth has met with much controversy and a great deal of criticism, moreso than praise. Opinions are diverse, some hating it, suggesting Oasis have become “flabby, unimaginative and lifeless” and questionning if the band have become complacent and dissinterested in their music. It’s almost as if some critics are jealous and want to find something to slag off this band about, just because they are who they are. There have been suggestions of blatant plagiarism, The Kinks and The Stranglers to name just a few of the piracy victims. I do agree, and would throw The Monkees, The Shadows and even Bruce Hornsby and his Range into the equation. But so what? Which band doesn’t take it’s influences, or a guitar riff, or a beat from those they admire? And come to think of it, how many bands, over the years, have looked to Oasis for inspiration and influence?

Others love it, claiming it’s a great album, even their best yet, with songs confirming continued loyality and faith in Oasis. All these reviews were read before I bought the album and I was determined to love it, and prove the cynics, vowing to put this cd in their “twice listened, never again” pile, wrong. But an opinion is an opinion and we’re all entitled to our own, differing, ones. I have to say that my first listen left me feeling disappointed, and wondering if the camp slating the album had a point. But then I listened again. And again. And then I reminded myself that I’d originally thought this about every Oasis album, except What’s The Story. So I kept on listening ….

One of the things Noel has stated about this album is that his kid brother has been more involved in the songwriting than in previous years. Maybe I’m niave, maybe I just meet the wrong blokes, but I always find it refreshing, unbelievable and quite sweet when the “britpop” era of bands deliver what can only be described as love songs, and I’m even more surprised when they come from Liam Gallagher. But thats what he seems to have done with the 3 songs on this album he’s written.

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The first one is Love Like a Bomb, and is my farourite track on the album. Acoustic guitars always do it for me and this track has plenty, along with an optimistic, fresh, uplifting feel. In contrast, The Meaning of Soul is fast paced and aggressive, and, if I had to chose one, would be my least favourite track on the album. Liam’s third lyrical offering of Guess God Thinks I’m Abel is more ballad-like, slowing down and presenting an acoustic dominance which I love, surprisingly turning quite lively in a Beatles-esque way at the end.

The rest of the tracks are written by a combination of Noel, Andy Bell and Gem. The introductory track of Turn Up The Sun is classic “thrashy” Oasis; it’s dramatic and quite dark in it’s sound. The rocky, uplifting Mucky Fingers is another of my favourites, featuring a bit of the old harmonica (Kevin take note – you’ll make it yet) and a melody that works well as a result of it’s simplicity. With it’s guitar and percussion lead, Lyla is widely viewed as the best track of the album. I tend to disagree, purely because I think others are stronger. The Importance of Being Idle and it’s strong Shadows like guitar riffs is moody and wouldn’t be out of place as soundtrack to a dark satire. Part of The Queue just has to be the one that reminds everyone of The Stranglers’ Golden Brown, but it works, and is different to it’s comparative track, forming an identity of it’s own almost immediately. Another acoustic dominant track comes in the form of Keep The Dream Alive, a simple, anthemic song building up to a crescending finish. The penultimate track, A Bell Will Ring, has it’s lyrics written by Gem and presents the rocky feel again, with the strong drum beat in command, kicking in just under a minute into the track. Much was expected of Let There Be Love by many critics, who then took pleasure in ripping it to shreads. But it’s Lennon-esque ballad feel, with Noel and Liam sharing lead vocals, is the perfect finish for this eclectic offering from the band who typified Britpop for so long.

For me, nothing beats what I class as quintessential Oasis – “Talk tonight”, “She Is Love”, and now “Love Like A Bomb”, but maybe that’s my rarely-seen romantic side emerging. As such, I don’t feel that this is Oasis’ best album, as other’s have described it, but look how I felt on my first listen. This album is a grower. I said I was determined to love it, and I wasn’t too keen on first listening. How do I feel now? I’ve fallen desperately in like with it, and I’ll probably end up loving it. In my experience, that’s what happens with “growers”....

I don’t consider Oasis as becoming “flabby” or “lifeless”. Quite the opposite. They’re just older, wiser (?) and have developed beyond a point which other bands could only ever dream of. Maybe they just don’t want to do the “same old same old”, but they’ve definitely still got me listening.

Have your say...

Comment Permalink | Kev said:

Still practising the Harmonica don’t worry!

As for this album, got to say it hasn’t grown on me at all, like the last track and that’s about it for me...each to their own though eh.

Comment Permalink | cYnThIa said:

Hi.. How long have you been practising the Harmonica, Kev?!
It´s a really nice instrument, although I usually complain quite a lot..

Comment Permalink | Kev said:

On and off for about 18 months, I kind of flounder around more than actually play it to be honest....me and instruments don’t mix too well!

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